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Bahar Noorizadeh, "Free to Choose", 2023, HD video with colour and sound, single channel, 35min58s, in collaboration with Rudá Babau and Waste Paper Opera, courtesy of the artist © Bahar Noorizadeh. Exhibition view, Project Room, 2024, La Ferme du Buisson. Photo Émile Ouroumov.
Bahar Noorizadeh, "Free to Choose", 2023, HD video with colour and sound, single channel, 35min58s, in collaboration with Rudá Babau and Waste Paper Opera, courtesy of the artist © Bahar Noorizadeh. Exhibition view, Project Room, 2024, La Ferme du Buisson. Photo Émile Ouroumov.
Cerith Wyn Evans, “Neon after Stella (Arundel Castle)” (detail), 2022, “Starstarstar/Steer (Transphoton) V et VI”, 2019, “phase shifts (after David Tudor) III”, 2023. Courtesy Cerith Wyn Evans, White Cube et Marian Goodman Gallery © Cerith Wyn Evans. Exhibition view, "Cerith Wyn Evans. Borrowed Light Through Metz", Centre Pompidou-Metz, France, 2024-2025. Photo Lewis Ronald.
Cerith Wyn Evans, “Neon after Stella (Arundel Castle)” (detail), 2022, “Starstarstar/Steer (Transphoton) V et VI”, 2019, “phase shifts (after David Tudor) III”, 2023. Courtesy Cerith Wyn Evans, White Cube et Marian Goodman Gallery © Cerith Wyn Evans. Exhibition view, "Cerith Wyn Evans. Borrowed Light Through Metz", Centre Pompidou-Metz, France, 2024-2025. Photo Lewis Ronald.
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Sara Sadik, XENON PALACE CHAMPIONSHIP, 2024, exhibition view, FACT Liverpool, UK, 2024. Photo Rob Battersby.
Sara Sadik, XENON PALACE CHAMPIONSHIP, 2024, exhibition view, FACT Liverpool, UK, 2024. Photo Rob Battersby.
Jade Blackstock, Market Performance, "melissandre varin - dirty nails (les ongles noirs)", Eastside Projects, Birmingham, UK, 2024. Photo Aresha Jones.
Jade Blackstock, Market Performance, "melissandre varin - dirty nails (les ongles noirs)", Eastside Projects, Birmingham, UK, 2024. Photo Aresha Jones.
Hamedine Kane, "Salesman of Revolt", 2024. Installation view at Auto Italia, London, UK. Courtesy of the artist. Photo Daniel Brown.
Hamedine Kane, "Salesman of Revolt", 2024. Installation view at Auto Italia, London, UK. Courtesy of the artist. Photo Daniel Brown.
Margot Pietri, "La tête au nord", Varnished steel, fibreglass, epoxy resin, paints, pigments, felt-tip pens, 101.7 × 72.7 × 4.5 cm, 2022, Courtesy of the artist. Photograph: CACN. Exhibition view, "The Channel", 2024, Figure Figure and CACN, Nice, France.
Margot Pietri, "La tête au nord", Varnished steel, fibreglass, epoxy resin, paints, pigments, felt-tip pens, 101.7 × 72.7 × 4.5 cm, 2022, Courtesy of the artist. Photograph: CACN. Exhibition view, "The Channel", 2024, Figure Figure and CACN, Nice, France.
Clémentine Bruno, "Educational Compex", exhibition view, 2024, Tonus, Paris, France.
Clémentine Bruno, "Educational Compex", exhibition view, 2024, Tonus, Paris, France.
Liz Johnson Artur, "Tituba, who protects us", exhibition view, 2024, Palais de Tokyo, Paris, France. Photo Aurélien Mole.
Liz Johnson Artur, "Tituba, who protects us", exhibition view, 2024, Palais de Tokyo, Paris, France. Photo Aurélien Mole.
Assemble Collective, "Blood in the machine", exhibition view, 2024, Le Crac 19, Montbéliard, France. Photo A. Pichon.
Assemble Collective, "Blood in the machine", exhibition view, 2024, Le Crac 19, Montbéliard, France. Photo A. Pichon.
Exhibition view, Les Grandes Locos, "Les voix des fleuves – Crossing the water”, the 17th edition of the Lyon Biennale, France. Oliver Beer, “Resonance Project (The Cave)”, 2024, Immersive video and sound installation with 8 screens. Courtesy of the artist and galleries Thaddaeus Ropac and Almine Reich. Image: Oliver Beer Studio.
Exhibition view, Les Grandes Locos, "Les voix des fleuves – Crossing the water”, the 17th edition of the Lyon Biennale, France. Oliver Beer, “Resonance Project (The Cave)”, 2024, Immersive video and sound installation with 8 screens. Courtesy of the artist and galleries Thaddaeus Ropac and Almine Reich. Image: Oliver Beer Studio.
“Our team at Fluxus Art Projects deeply believes in the transformative power of art to address the pressing social and environmental issues of our times. We take pride in nurturing emerging talents and providing a platform for artists to showcase their work on both sides of the Channel through collaboration, exchange, and mutual learning. Our newest initiative, the Magnetic artists residencies program, takes our commitment to creative emulation to new heights. This program provides our laureates with an immersive experience in the partner country’s cultural and artistic practices, as well as the chance to benefit from the collective intelligence and expertise of local artists and curators. It is a testament to our belief in the power of cross-cultural collaboration. By working together, we can create a more vibrant, connected, and inclusive world. Let’s continue this movement, and long live Fluxus!”
« L'équipe de Fluxus Art Projects croit au pouvoir transformateur de l'art pour répondre aux enjeux sociaux et environnementaux de notre temps. Nous sommes fier·ère·s de soutenir des talents émergents et d'offrir aux artistes une plateforme pour présenter leur travail des deux côtés de la Manche, au travers de collaborations, d'échanges et d'apprentissages mutuels. Notre toute dernière initiative, le programme de résidences d'artistes Magnetic, porte notre engagement en faveur de l'émulation créative à de nouveaux sommets. Ce programme offre à nos lauréat·e·s une expérience immersive dans les pratiques culturelles et artistiques du pays partenaire, ainsi que la possibilité de bénéficier de l'intelligence collective et de l'expertise des artistes et des commissaires d'exposition locaux. C'est un témoignage de notre foi dans le pouvoir de la collaboration interculturelle. En travaillant ensemble, nous pouvons créer un monde plus vibrant, plus connecté et plus inclusif. Poursuivons ce mouvement et vive Fluxus ! »
Hélène Nguyen-Ban, Chair of Fluxus Art Projects
Hélène Nguyen-Ban, Présidente de Fluxus Art Projects
