Jesse Darling, Gravity Road, 2020, Steel, sandbags, soil, flowers, elastic bandage, metal coating, 470 × 580 × 1,620 cm, Courtesy : Jesse Darling & Galerie Sultana & Arcadia Miss
Eloise Hawser, The Tipping Hall, 2019 as part of the exhibition Permafrost, Mo.Co, 2020. Courtesy of the artist & Mo.Co, Montpellier.
Portrait of David Hoyle by Lee Baxter
Gail Pickering, Red Prologue, La Ferme du Buisson, 2014. Courtesy of the artist & La Ferme du Buisson, Noisiel.
Liv Schulman, Le goubernement (2019). Installation view, Mimosa House. Courtesy of the artist. Photo by Rob Harris
Zineb Sedira, L'espace d'un instant, Jeu de Paume, 2019. Courtesy of the artist & Jeu de Paume, Paris
Marine Hugonnier La Vijanera, 2019 Film 16 mm © Marine hugonnier
Julien Creuzet, Working Practices, The Showroom, 2018. Courtesy of the artist & The Showroom, London.
David Douard, Melody , 2022, screen-printed plexiglass, metal, LED, wood, plaster, chains, aluminum, chains, paper, magnets, 200 x 150 x 40 cm © Filipe Barga
Courtesy of the artist and Galerie Chantal Crousel
Cécile B. Evans, A Screen Test for an Adaptation of Giselle, 2019, 8:49 min, HD video, still, MOVE, Centre Pompidou 2020. Courtesy the artist.
Ceremony of the Void, 2017, performance and installation at David Roberts Art Foundation, London. Photos Dan Weill. Courtesy the Artist and Ciaccia Levi, Paris - Milan
Marguerite Humeau, FOXP2, Nottingham Contemporary, 2016. Courtesy the artist & Nottingham Contemporary.
Naïmé Perrette, The Weight of the Ground, 2018, mixed materials, 400 x 70 cm, Credits picture: Stine Sampers
Julie Béna, The Jester & Death, Kunstraum, 2020. Courtesy of the artist & Kunstraum, London.
Film still from Dislocation (work in progress) (2022), Josèfa Ntjam. Image courtesy of the artist
Holly Hendry, Deep Soil Thrombosis, Biennale de Lyon, 2019. Courtesy of the artist & Biennale de Lyon.
Azzedine Saleck, Dune Photo : Pierre Antoine Studio, Courtesy de l'artiste et Confort Moderne
Hannah Quinlan & Rosie Hastings, Becoming Natural, 2914_video still, Maison Populaire, Montreuil, 2020. Courtesy of the artists.
Susie Green, Creature of Love, 2020, Acrylic paint on cut tissue paper, 200 × 200cm, Install at Empty Rooms Full of Love, exhibition with Cathy Josefowitz, FRAC Champagne-Ardenne, Reims (FR), Curated by Marie Griffay and Bettina Moriceau Maillard, Photo © Martin Argyroglo
Camille Henrot, The Pale Fox, Chisenhale Gallery, 2014. Courtesy of the artist and Chisenhale Gallery, London.
“Our team at Fluxus Art Projects deeply believes in the transformative power of art to address the pressing social and environmental issues of our times. We take pride in nurturing emerging talents and providing a platform for artists to showcase their work on both sides of the Channel through collaboration, exchange, and mutual learning. Our newest initiative, the Magnetic artists residencies program, takes our commitment to creative emulation to new heights. This program provides our laureates with an immersive experience in the partner country’s cultural and artistic practices, as well as the chance to benefit from the collective intelligence and expertise of local artists and curators. It is a testament to our belief in the power of cross-cultural collaboration. By working together, we can create a more vibrant, connected, and inclusive world. Let’s continue this movement, and long live Fluxus!”
« L'équipe de Fluxus Art Projects croit au pouvoir transformateur de l'art pour répondre aux enjeux sociaux et environnementaux de notre temps. Nous sommes fier·ère·s de soutenir des talents émergents et d'offrir aux artistes une plateforme pour présenter leur travail des deux côtés de la Manche, au travers de collaborations, d'échanges et d'apprentissages mutuels. Notre toute dernière initiative, le programme de résidences d'artistes Magnetic, porte notre engagement en faveur de l'émulation créative à de nouveaux sommets. Ce programme offre à nos lauréat·e·s une expérience immersive dans les pratiques culturelles et artistiques du pays partenaire, ainsi que la possibilité de bénéficier de l'intelligence collective et de l'expertise des artistes et des commissaires d'exposition locaux. C'est un témoignage de notre foi dans le pouvoir de la collaboration interculturelle. En travaillant ensemble, nous pouvons créer un monde plus vibrant, plus connecté et plus inclusif. Poursuivons ce mouvement et vive Fluxus ! »
Hélène Nguyen-Ban, Chair of Fluxus Art Projects
Hélène Nguyen-Ban, Présidente de Fluxus Art Projects
